Archive for GA

4 x 4 opens at Barbara Archer Gallery / Friday, May 17th

Posted in Barbara Archer Gallery, i-45 with tags , , , , , , , , , , , , , , , , , , , , on May 3, 2013 by i45art
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Left to Right: Benjamin JonesLe Reveil Qui Sonne, 1985-1991, mixed media on paper; Lydia WallsBurt Reynolds, 2013, gouache and graphite on panel; Linda HallHollow Dogs, 2013, mixed media; Joseph KurhajecShaman, n.d., unique collograph


Join us for the opening of 4 x 4
Friday, May 17th from 7-9pm
featuring the work of
Benjamin Jones, Lydia Walls, Linda Hall & Joseph Kurhajec

 4 x 4 features the work of 4 artists and 4 compelling series.  Though each artist is unique, their common visual threads are raw and bold, weaving the work together. 


Benjamin Jones, a notoriously reclusive artist, is ready to reveal the inner voices and thoughts behind his iconic drawings by opening the pages of his visual journals.  HISTORY, Jones’ title for this series, includes journals from 1985 to the present, allowing viewers to handle and explore 15 of the intricate books for themselves.

Though a few were previously shown at Freight + Volume Gallery in New York, and the Whitney Museum of Art owns two, the artist never intended for so many of his intimate journals to be seen by the public.  But now is the time since they mark an end of a chapter.  Jones says he is “on the verge of introducing a completely new drawing style.”

Each page is a deliberate composition designed to get every element just right before starting larger finished drawings.  The pages become individual treasures in themselves, mixing poetic text and bold imagery.

Benjamin Jones Bio  


Lydia Walls’, powerful portraits honor 100 SOUTHERNERS who have shaped the culture in which she was raised.

Walls always loved portraits but “didn’t have the confidence to paint people,” she says.  After visiting Howard Finster’s Paradise Garden, his crude yet riveting portraits set her free.  It’s important to Walls that the series of 6”x 6” paintings are accessible to everyone.  Enjoy these delightful portraits, steeped in nostalgia, celebrating Johnny Cash, Martin Luther King, Rosa Parks, Mayor Ivan Allen, Helen Keller, B.B. King, Jimmy Carter, Margaret Mitchell, Little Richard, James Brown, two famous southern animals – Willie B the gorilla and Uga the dog – and many more.

Lydia Walls Bio


Linda Hall’s HOLLOW DOGS AND OTHER HOLY REMNANTS blends the feminine craft of quilt-making with the traditionally masculine sport of hunting.  Handmade quilts collected from friends are sewn around life size taxidermy forms made of Styrofoam.  Her other-worldly creatures are embellished with layers of paint and beads.  According to Hall, once the shape is set, the form is removed leaving hollow “containers for the spirit.”  Included are a full grown grizzly bear, raccoons, dogs, coyotes and deer, displayed in a tradition similar to 19th century trophy rooms.  The artist seeks to re-ignite our universal connection to wilderness and a wild side in all of us that is in danger of being lost.

Linda Hall Bio


Joseph Kurhajec is a world traveler who currently lives in Merida, Mexico, Paris and upstate New York.  His collographs – relief printed from plates enhanced with paint, fur, reptile skins, human hair and cloth – are one-of-a-kind images.  Deeply influenced by African fetishes and ritual objects from prehistoric cultures, his work seems to come from another place and time.  SPIRITUAL MYSTERIES presents Kurhajec’s powerful and intriguing unique prints.

Joseph Kurhajec Bio

Theories of Everything: Dayna Thacker / Opens March 22nd

Posted in Barbara Archer Gallery, i-45 with tags , , , , , , , , on March 16, 2013 by i45art

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exhibition / March 22nd – May 3rd
opening reception / Friday, March 22nd, 7-9pm

free + open to the public

The Symmetry of Poets_560w
Dayna Thacker, The Symmetry of Poets, 2013, cut paper collage, 13.5″ x 10″

John Muir once wrote, “When we try to pick out anything by itself we find that it is bound fast by a thousand invisible cords that cannot be broken, to everything in the universe.”

Dayna Thacker’s new body of work takes inspiration from the “thousand invisible cords” of modern string theory, ancient Islamic sacred geometry, and the all-pervasive principles of ecology.  These complex areas of study have several overlapping concerns: the harmony of relationships; the correlation between the very large and infinitely small; symmetry; repetition; beauty; an appreciation for the elegance of a perfectly balanced system; and the extreme interconnectedness of everything.

The unbalancing of our ecological system is leading inexorably to a terrifying future.  In this work, Thacker seeks solace by exploring philosophies that expound the ideas of interconnection.  These theories offer the reassurance of an all-encompassing structure within the universe that will persevere.  The temporary event of our existence is put into perspective by the contemplation of the sacred and perpetual nature of reality.

Dayna Thacker relocated to Atlanta in 2006 after receiving a Bachelor in Fine Arts from the University of Tennessee.  She is a Studio Artist at the Atlanta Contemporary Art Center and a Hambidge Residency Fellow.  She was a Fulton County Arts Council 2009 Residency Fellow and a Forward Arts Foundation 2010 Emerging Artist Award Finalist.  This is Thacker’s second solo exhibition at Barbara Archer Gallery.

i45 and ACP present Videos from the Guggenheim’s YouTube Play Project

Posted in i-45 with tags , , , , , , , , , , , , , on October 13, 2011 by i45art



MEDIA CONTACT: Amy Miller Amy@ACPinfo.org

I45 and Atlanta Celebrates Photography present an Evening of Award Winning Videos

October 11, 2011: Atlanta, Georgia – i45 and Atlanta Celebrates Photography are pleased to present videos from the Guggenheim’s recent YouTube Play project. The screening will take place October 29, 2011 from 6:30 – 8:30pm in Grant Park as part of ACP’s Public Art Project, “Volley” a sound-activated, interactive animation by Monica Cook.

YouTube Play is a collaboration between YouTube and the Guggenheim Museum. The inaugural biennial, held in October 2010 at the Guggenheim in New York, showcased the most remarkable online videos from around the world. It included videos from Germany,
Australia, Canada, the UK, Brazil, Netherlands, South Africa and the U.S. The Guggenheim curators selected the short list of videos from over 23,300 submissions. 



I45 is a collective of Atlanta galleries in Inman Park (i), the Old Fourth Ward (4) and Little Five Points (5) working together to promote this community’s rich, creative identity. Through shared events and common interests, i45 seeks wider visibility for artists and the vibrant arts community.

For more information about i45, recent projects and member galleries, please visit the following links:

Convergent Frequencies
http://www.burnaway.org/2010/09/convergent-frequencies-highlights-urban-geography-this-weekend

Skies Over Atlanta http://www.burnaway.org/2010/04/4-secrets-to-be-revealed-this-saturday-and-sunday-at-850-euclid

i45 Blog https://i45art.wordpress.com

For more information about “Volley” by Monica Cook or about ACP, please visit the following links:

“Volley” http://festivalguide.acpinfo.org/listings/view/909

Atlanta Celebrates Photography http://www.ACPinfo.org

ACP’s blog “ACP Now!”: http://www.acpinfo.org/blog

Francis Pavy: OPEN ROADS at Barbara Archer Gallery / Reception June 10, 7-9pm

Posted in Barbara Archer Gallery, i-45 with tags , , , , , , on June 3, 2011 by i45art

 

Francis Pavy, a distinctive, southern visual narrator, will be exhibiting a collection of his works, titled NEW ROADS at Barbara Archer Gallery. One of the most significant artists of his region, Pavy’s NEW ROADS is the premiere solo exhibition of his work in Atlanta.

In this new series of works, Pavy makes use of his past iconic imagery layered in transparent color saturated fields to make narrative works. The lexicon of his work includes musicians, animals, food, carnival, urban and rural imagery firmly grounded in the vernacular of the American South. These images have been transferred to linoleum blocks and used to print on paper and most recently canvas.

These narrative works are part of two series: ”The Seaside Suite,” which deals with fortunes, good and bad; and, “Borderlands” which explores subtleties of perceptions, real and imagined, Pavy says  “I call these works non-linear narratives because the interpretation of the storyline can be approached at any point as opposed to literature or music where one thing follows another.”

Francis Pavy graduated from the University of Southwestern Louisiana in 1976. He originally worked as a sculptor, opening his Lafayette studio in 1981 and experimenting with glass, drawing and painting. Over time, painting became Pavy’s major focus. His work stems from the southern storytelling tradition; common subjects are folklife and folklore of local people juxtaposed with contemporary American life. Pavy is particularly interested in the music and the musical traditions of Louisiana.

Pavy works in a variety of media including painting, neon, paper and canvas printed with linocut blocks. His work vibrates with color and musical rhythm, grounding abstract dimensions in Southern motifs and playing on themes of mysticism, love, nature, humor, and friendship. Pavy’s work has been included in over 20 major exhibitions worldwide, and his paintings are in the permanent collections of the Morris Museum of Art, New Orleans Museum of Art, The Ogden Museum of Southern Art and the private collections of Bob Dylan, Paul Simon, Ron Howard, Lorne Michaels, and Walker Percy, among others. Pavy’s work has been published in a variety of catalogs, books and magazine articles, including: Elvis & Marilyn: 2 Times Immortal (US & Japanese Edition), The South: A Treasury Of Art and Literature, Francis X. Pavy, La Musique Zydeco, The Colors of Rhythm, and Outward Bound, American Art on the Brink of the 21st Century.

 

 

Whitespace Gallery

Posted in Whitespace Gallery with tags , , , , , , , , on June 23, 2010 by i45art

“Seepages” curated by Caroline Lathan-Stiefel

On June 25th, our next exhibit Seepages will open. Curated by Caroline Lathan-Stiefel, Seepages is a collaborative project by artists whose works are a response to inhabiting and navigating contemporary urban and suburban environments. Their work explores the idea that urban, suburban, and natural realms are not separate entities, but rather permeable, fluid spaces that connect and seep into each other.

Participating Artists: Caroline Lathan-Stiefel, Arden Bendler Browning, Van Stiefel, Thomas Vance, John Otte, Kate Stewart & Ward Davenny.

Exhibit Dates: June 25-July 31
Opening Reception: Friday, June 25 | 7 – 10
Conversation with the Artists: Saturday, June 26th @ 3pm